Carl Zeiss Jena 135mm 1:3.5 DDR Sonnar – review

Carl Zeiss Jena DDR Sonnar 3.5/135 lens review, aka Carl Zeiss Jena 135mm 1:3.5 DDR Sonnar

Mount – M42

This lens is out of the zone of my interests, I don’t know much about it, nevertheless, it was interesting to test it and find out what it was capable of. It turned out that everything is very good. Unlike the “second” Zeiss (Western, or FRG), lenses from which are so overpriced that after tests they can even be disappointing, this lens turned out to be much better than I imagined at the beginning.

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Minolta MC Rokkor 24mm 1:2.8 VFC – MC-X – review

Minolta MC VFC Rokkor-X 24mm 1:2.8 (Minolta MC Rokkor 24mm 1:2.8 VFC) – vintage manual lens test and review

  • Official classification: MC
  • Collector’s classification: MC-X

This is the first lens with unique Minolta’s know-how – Variable Field Curvature (VFC). The lens is enough rare, probably because just a few photographers need it, but it is very interesting from the collector’s point of view.

This review doesn’t contain tests of Variable Field Curvature -‘VFC’ feature of this lens. Here you can get information about how this lens works in normal mode.

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Meyer Optik Görlitz 50mm 1:1.8 vs. Minolta MD 50mm 1:1.7 – comparison

Meyer Optik Görlitz 50mm 1:1.8 vs Minolta MD 50mm 1:1.7

We don’t need to be an oracle to predict Minolta’s victory. But we need to find out how much Meyer-Optik Goerlitz will lose. In terms of IQ of course, this comparison is not about bokeh, feelings, and other esoteric materials.

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Minolta MD 70-210mm 1:4.0 Zoom – review

Minolta MD 70-210mm 1:4.0 Zoom lens review

  • Official classification: New-MD
  • Collector’s classification: MD III

This is a manual-focus version of  “Beercan” – one of the famous lenses of Minolta. A rare case when the description is worth starting with the mention of another younger lens because everyone knows a “Beercan.” It’s enough to say that this is “beercan without autofocus” and everyone immediately understands what it is about. It is believed that the optical properties of the lens weren’t changed when autofocus appeared, but a small probability still remains, therefore I’ll clarify – the review is about MD, not about Alpha.

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Chiyoko 135mm 1:4.0 Tele Rokkor – review

Chiyoko Tele Rokkor 1:4 f=13.5cm (c) lens review, aka Chiyoko 135mm f:4.0

Mount – LTM, Leica Thread Mount, or LSM, Leica Screw Mount, or M39

This lens is from the list of four very first lenses released by Minolta for 35mm standard film. Just 4 years after the end of WWII. We can say that this lens is a museum exhibit, but nevertheless, nothing prevents photographers from using it. I even think that if these lenses were alive, then they would really like to participate in photographing despite their age.

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Helios 44M-7 58mm 1:2.0 – review

The popularity of Russian lenses has grown considerably over the past few years. And Helios 44M-7 58mm 1:2.0 is from the top of that list. Perhaps this is the result of globalization, perhaps – Photographers protest against the principles of modern lenses – sometimes too featureless.

One day I spotted in the sale Гелиос 44М-7 at an attractive price. Directly with the camera Zenit-122 instead of the back cover. So…

Lens review: Helios 44-7 58mm 1:2.0 MC Zenit

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