Minolta MC Rokkor QF 200mm 1:3.5 vs. MC Rokkor PE 200mm 1:4.5 vs MD 200mm 1:2.8 – comparison

Published by Tony on

Minolta SR 200mm lenses comparison:

  • Minolta MC Tele Rokkor QF 200mm 1:3.5 (MC II)
  • Minolta MC Tele Rokkor PE 200mm 1:4.5 (MC II)
  • Minolta MD 200mm 1:4.5 (New-MD, MD III)

Comparison of lenses Minolta MD 200mm 1:2.8, Minolta MC Tele Rokkor QF 200mm 1:3.5 and Minolta MC Tele Rokkor PE 200mm 1:4.5

At first glance, it seems that the fight is not very fair, because newer MD version is faster than previous MCs. But it turned out that speed is important of course, but not very much, look at the results.

This comparison is correct only for conditions and equipment used for tests. Test results may differ if any element is changed.

Tested lenses reviews



MD 200mm F/2.8
MC 200mm F/3.5
MC 200mm F/4.5
Serial:800196055197931518998
Optical Condition:Near MintNear MintNear Mint
Mechanical Condition:Like NewLike newLike new
Cosmetic Condition:GoodVery GoodVery Good

Minolta 200mm lenses comparison – sharpness/resolution

Long-distance test description

  • Camera Sony A7II (24mpx, full frame) – RAW (ARW), tripod, A-mode, ISO 100, WB fixed, SteadyShot OFF, manual focus correction for every shot
  • Targets (buildings) – fixed by gravity power on the distances in more than 200 meters
  • ARW post-processing – Capture One, default settings, 100% crops 300×200 px

Scene preview

Test results

Minolta MC Tele Rokkor QF 200mm 1:3.5 vs Minolta MC Tele Rokkor PE 200mm 1:4.5

Minolta MC Tele Rokkor QF 200mm 1:3.5 vs Minolta MD 200mm 1:2.8

Minolta MC Tele Rokkor PE 200mm 1:4.5 vs Minolta MD 200mm 1:2.8

Minolta 200mm lenses comparison – final conclusion

  • Fighting #1: MC 200mm 1:3.5 vs MC 200mm 1:4.5

It’s the draw, there is no noticeable difference. With a microscope, we can say that MC 200mm 1:3.5 is better in the center, but MC 200mm 1:4.5 is better in the corner.

If you need to choose one of these two lenses – the sharpness isn’t a factor.

Personally, for me it would be hard choosing: one is a little bit heavier, but other is a little slowly.

  • Fighting #2: MC 200mm 1:3.5 vs MD 200mm 1:2.8

The newer MD 200mm 1:2.8 is better on F4.0 than MC 200mm 1:3.5. So, we’ve got the winner. Anyway, the difference is seen but isn’t big enough to say that sharpness is the reason  which drives us to choose the MD 200mm 1:2.8 instead of MC 200mm 1:3.5, but if to take into consideration other factors – the presented F2.8 instead of F3.5 and 80g bonus in weight – MD can be recommended without doubts

  • Fighting #3: MC 200mm 1:4.5 vs MD 200mm 1:2.8

Obviously the same result as in the previous case – MD 200mm 1:2.8 won.

The result:

Simply speaking, MD 200mm 1:2.8 is faster, and this advantage of ‘one-stop closed’ against fully opened MC versions makes this lens winner. I’ve expected a little bit more excellence from the New-MD version, but after the tests, I realized that I was just underestimating the old MCs. On the other hand, the sharpness of MCs is amazing and I like the fact that Minolta has incremented the newer lens for one F-stop without lack of sharpness.


2 Comments

Graham Smith (@mirthseeker) · 2019-05-05 at 07:26

A pity you didn’t test the MC / early MD 200 f/4, which on XXXXXXXXX, tested on APSC, performed “better” than the 2.8 perhaps. I have this lens, and it is superb on APSC, can’t speak for full-frame.

La terre vue du ciel · 2019-06-26 at 13:07

The sharpness of an MD 200 f/4 is able to exploit a high-resolution APS-C sensor, and in terms of resolution it is certainly at the top of all Minolta 200mm lenses (and other brands as well). Unfortunately, the lateral chromatic aberrations towards the edge are serious and clearly worse corrected than the older MC versions.
Perhaps the most interesting 200mm is missing: the MC/MD 100-200 f/5.6. The venerable zoom construction is apochromatically corrected (without mentioning this) and regarding color error correction certainly the best lens ever. And it has a very special character: with open apertures with a sharp core and a certain softness, and especially between f/8 and f/11 sharp, almost brilliant and of course without disturbing color errors.
As you can see, not a single one of these 200mm lenses represents the “eierlegende Wollmilchsau” …

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